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ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

R+HREE+OU+R+I+VE+I+EV+I+I

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

 

 

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

R+HREE+OU+R+I+VE+I+EV+I+I

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

 

 

85R6 655 256 2HREE 6OUR 6IVE 1I6 1EV55 5I782 5I55

R+HREE+OU+R+I+VE+I+EV+I+I

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

R+HREE+OU+R+I+VE+I+EV+I+I

85R6 655 256 2HREE 6OUR 6IVE 1I6 1EV55 5I782 5I55

 

 

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

8596 655 256 28955 6639 6945 196 15455 59782 5955

R+HREE+OU+R+I+VE+I+EV+I+I

8596 655 256 28955 6639 6945 196 15455 59782 5955

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

 

 

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

9+8+9+5+5+6+3+9+9+4+5+9+5+4+9+9

9+8+9+5+5+6+3+9+9+4+5+9+5+4+9+9

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

 

 

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

8596 655 256 28955 6639 6945 196 15455 59782 5955

7x9 = 63 36 = 9x7

8596 655 256 28955 6639 6945 196 15455 59782 5955

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

 

 

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

ZEO ONE TWO T F F SX SEN EGHT NNE

Z+E+O+ O+N+E+T+W+O+T+F+F+S+X+S+E+N+ E+G+H+T+N+N+E

8+5+6+6+5+5+2+5+6+2+6+6+1+6+1+5+5+5+7+8+2+5+5+5

Z+E+O+ O+N+E+T+W+O+T+F+F+S+X+S+E+N+ E+G+H+T+N+N+E

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

 

 

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

8596 655 256 28955 6639 6945 196 15455 59782 5955

R HREE OUR IVE I EV I I

R+H+R+E+E+O+U+R+I+V+E+I+E+V+I+I

9+8+9+5+5+6+3+9+9+4+5+9+5+4+9+9

R+H+R+E+E+O+U+R+I+V+E+I+E+V+I+I

R HREE OUR IVE I EV I I

8596 655 256 28955 6639 6945 196 15455 59782 5955

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

 

 

WORK DAYS OF GOD

Herbert W Morris D.D.circa 1883

Page 22

"As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."

 

 

LIGHT AND LIFE

Lars Olof Bjorn 1976

Page 197

"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

A
B
C
D
E
F
G
H
I
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
J
K
L
M
N
O
P
Q
R
10
11
12
13
14
15
16
17
18
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
S
T
U
V
W
X
Y
Z
I
19
20
21
22
23
24
25
26
9
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
ME
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
I
ME
I
ME
I
ME
I
ME
I
9
18
9
18
9
18
9
18
9
=
1+8
=
1+8
=
1+8
=
1+8
=
=
9
=
9
=
9
=
9
=
I
ME
I
ME
I
ME
I
ME
1
9
9
9
9
9
9
9
9
9
I
ME
I
ME
I
ME
I
ME
1

 

 

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
 -
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

A

HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

 

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
18
First Total
189
90
18
1+8
Add to Reduce
1+8+9
9+0
1+8
9
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
9
Essence of Number
9
9
9

 

 

THE

FAR YONDER SCRIBE

AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE

THE

ZED ALIZ ZED

IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS

AT THE THROW OF THE NINTH RAM WHEN IN CONJUNCTION SET

THE

FAR YONDER SCRIBE

MADE RECORD OF THEIR FALL

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Cycles and Patterns

Page 165

Patterns

"The essence of mathematics is to look for patterns.

Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.

These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!

Searching out patterns is a pure delight.

Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.

And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."

 

 

FINGERPRINTS OF THE GODS

A QUEST FOR THE BEGINNING AND THE END

Graham Hancock 1995

Chapter 32

Speaking to the Unborn

Page 285

"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?

A message in the bottle of time"

'Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3

If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."

"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"

"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"

 

 

A

MAZE

IN

ZAZAZA ENTER AZAZAZ

AZAZAZAZAZAZAZZAZAZAZAZAZAZA

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

 12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

 

 

-
THE RAINBOW LIGHT
-
-
-
3
THE
33
15
6
7
RAINBOW
82
37
1
5
LIGHT
56
29
2
15
THE RAINBOW LIGHT
171
81
9
1+5
-
1+7+1
8+1
-
6
THE RAINBOW LIGHT
9
9
9

 

 

15
THE RAINBOW LIGHT
-
-
-
-
THE
33
15
6
-
R
18
9
9
-
A
1
1
1
-
I
9
9
9
-
N+B+O+W
54
18
9
-
L
12
3
3
-
I
9
9
9
-
G+H+T
35
17
8
15
THE RAINBOW LIGHT
171
81
54
1+5
-
1+7+1
8+1
5+4
6
THE RAINBOW LIGHT
9
9
9

 

 

THE LIGHT IS RISING RISING IS THE LIGHT

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-

 

 

9
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
+
=
17
1+7
=
8
=
8
-
-
-
-
-
-
-
-
8
9
+
=
17
1+7
=
8
=
8
9
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
+
=
28
2+8
=
10
1+0
1
-
1
2
3
4
5
6
7
-
-
+
=
28
2+8
=
10
1+0
1
9
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
+
=
45
4+5
=
9
=
9
-
1
2
3
4
5
6
7
8
9
+
=
45
4+5
=
9
=
9
9
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
+
=
1
occurs
x
1
=
1
-
-
2
-
-
-
-
-
-
-
+
=
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
-
+
=
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
-
+
=
4
occurs
x
1
=
4
-
-
-
-
-
5
-
-
-
-
+
=
5
occurs
x
1
=
5
-
-
-
-
-
-
6
-
-
-
+
=
6
occurs
x
1
=
6
-
-
-
-
-
-
-
7
-
-
+
=
7
occurs
x
1
=
7
-
-
-
-
-
-
-
-
8
-
+
=
8
occurs
x
1
=
8
-
-
-
-
-
-
-
-
-
9
+
=
9
occurs
x
1
=
9
9
A
B
C
D
E
F
G
H
I
-
-
45
-
-
9
-
45
-
1
2
3
4
5
6
7
8
9
-
-
4+5
-
-
-
-
4+5
9
A
B
C
D
E
F
G
H
I
-
-
9
-
-
9
-
9
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
9
A
B
C
D
E
F
G
H
I
-
-
9
-
-
9
-
9

 

 

9
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
-
-
-
-
-
-
-
5
6
-
-
-
+
=
11
1+1
=
2
=
2
-
-
-
-
-
14
15
-
-
-
+
=
29
2+9
=
11
1+1
2
9
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
-
-
-
1
2
3
4
-
-
7
8
9
+
=
34
3+4
=
7
=
7
-
10
11
12
13
-
-
16
17
18
+
=
97
9+7
=
16
1+6
7
9
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
-
-
-
10
11
12
13
14
15
16
17
18
+
=
126
1+2+6
=
9
=
9
-
1
2
3
4
5
6
7
8
9
+
=
45
4+5
=
9
=
9
9
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
+
=
1
occurs
x
1
=
1
-
-
2
-
-
-
-
-
-
-
+
=
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
-
+
=
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
-
+
=
4
occurs
x
1
=
4
-
-
-
-
-
5
-
-
-
-
+
=
5
occurs
x
1
=
5
-
-
-
-
-
-
6
-
-
-
+
=
6
occurs
x
1
=
6
-
-
-
-
-
-
-
7
-
-
+
=
7
occurs
x
1
=
7
-
-
-
-
-
-
-
-
8
-
+
=
8
occurs
x
1
=
8
-
-
-
-
-
-
-
-
-
9
+
=
9
occurs
x
1
=
9
9
J
K
L
M
N
O
P
Q
R
-
-
45
-
-
9
-
45
-
10
11
12
13
14
15
16
17
18
-
-
4+5
-
-
-
-
4+5
9
J
K
L
M
N
O
P
Q
R
-
-
9
-
-
9
-
9
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
9
J
K
L
M
N
O
P
Q
R
-
-
9
-
-
9
-
9

 

 

8
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
1
-
-
-
-
6
-
8
+
=
15
1+5
=
6
=
6
-
19
-
-
-
-
24
-
26
+
=
69
6+9
=
15
1+5
6
8
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
2
3
4
5
-
7
-
+
=
21
2+1
=
3
=
3
-
-
20
21
22
23
-
25
-
+
=
111
1+1+1
=
3
=
3
8
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
19
20
21
22
23
24
25
26
+
=
180
1+8+0
=
9
=
9
-
1
2
3
4
5
6
7
8
+
=
36
3+6
=
9
=
9
8
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
1
=
1
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
1
=
4
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
1
=
5
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
1
=
6
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
1
=
7
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
1
=
8
8
S
T
U
V
W
X
Y
Z
-
-
36
-
-
8
-
36
-
1
2
3
4
5
6
7
8
-
-
3+6
-
-
-
-
3+6
8
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
8
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
=
7
=
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
=
7
=
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
=
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
=
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
=
9
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
=
9
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
=
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
=
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

 

 

 

 

THE DEATH OF GODS IN ANCIENT EGYPT

Jane B. Sellars 1992

Page 204

"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:

Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10

Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.

Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.

The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.

A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the /Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)

If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.

This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.

Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.

But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 36in 25,776 years, only 144 years less than the figure of 25,920.

With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, Incorrect by a difference of from 2,397.9 years to 3,024.

Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'

AN IMPORTANT POSTSCRIPT

Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.

Page 206

Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12

This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.

Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.

Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.

Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13

Page 207

"...Feniusa Farsa, Graves equates this hero with Dionysus Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials

We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14

Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15

Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16

In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)

The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted
mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656.years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, .multiply this by 2 and again we have the necessary 432 digits.

Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interest- ing number of AD.432.18

Whatever one may think-of some of these number coincidences, it becomes. difficult to escape the suspicion that many signs (number and otherwise) -indicate that early man observed the results of the movement of Precession and that the transmission of this information was considered of prime importance.

'With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would
have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.

But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced.,that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':

"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two,four.Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radiusekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up. his piece of striped and striped wallpaper, decorated / Page 209 / with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.

So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"

 

 

OF TIME AND STARS

Arthur C. Clarke 1972

FOREWORD

"'Into the Comet' and 'The Nine Billion Names of God' both involve computers and the troubles they may cause us. While writing this preface, I had occasion to call upon my own HP 9100A computer, Hal Junior, to answer an interesting question. Looking at my records, I find that I have now written just about one hundred short stories. This volume contains eighteen of them: therefore, how many possible 18-story collections will I be able to put together? The answer ­as I am sure will be instantly obvious to you - is 100 x 99. . . x 84 x 83 divided by 18 x 17 x 16 ... x .2 x 1. This is an impressive number - Hal Junior tells me that it is approximately 20,772,733,124,605,000,000.

 

 

3
THE
33
15
6
4
NINE
42
24
6
7
BILLION
73
37
1
5
NAMES
52
16
7
2
OF
21
12
3
3
GOD
26
17
8
24
-
247
121
31
2+4
-
2+4+7
1+2+1
3+1
6
-
13
4
4
-
-
1+3
-
-
6
-
4
4
4

Page 15

The Nine Billion Names of God

'This is a slightly unusual request,' said Dr Wagner, with what he hoped was commendable restraint. 'As far as I know, it's the first time anyone's been asked to supply a Tibetan monastery with an Automatic Sequence Computer. I don't wish to be inquisitive, but I should hardly have thought that your - ah - establishment had much use for such a machine. Could you explain just what you intend to do with it?'
'Gladly,' replied the lama, readjusting his silk robes and carefully putting away the slide rule he had been using far currency conversions. 'Your Mark V Computer can carry out any routine mathematical operation involving up to ten digits. However, for our work we are interested in letters, not numbers. As we wish you to modify the output circuits, the machine will be printing words, not columns of figures.'
'I don't quite understand. . .'
'This is a project on which we have been working for the last three centuries - since the lamasery was founded, in fact. It is somewhat alien to your way of thought, so I hope you will listen with an open mind while I explain it.'
'Naturally.'
'It is really quite simple. We have been compiling a list which shall contain all the possible names of God.'
'I beg your pardon?'

Page16

'We have reason to believe,' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.'
'And you have been doing this for three centuries?'
'Yes: we expected it would take us about fifteen thousand years to complete the task.'
'Oh,' Dr Wagner looked a little dazed. 'Now I see why you wanted to hire one of our machines. But what exactly is the purpose of this project?'
The lama hesitated for a fraction of a second, and Wagner wondered if he had offended him. If so, there was no trace of annoyance in the reply.
'Call it ritual, if you like, but it's a fundamental part of our belief. All the many names of the Supreme Being - God Jehova, Allah, and so on - they are only man-made labels. There is a philosophical problem of some difficulty here, which I do not propose to discuss, but somewhere among all the possible combinations of letters that can occur are what one may call the real names of God. By systematic permutation of letters, we have been trying to list them all.'
'I see. You've been starting at AAAAAAA . . . and working up to ZZZZZZZZ . . .'
'Exactly - though we use a special alphabet of our own. Modifying the electromatic typew
riters to deal with this is, of course, trivial. A rather more interesting problem is that of devising suitable circuits to eliminate ridiculous combinations. For example, no letter must occur more than three times in succession.'
,'Three? Surely you mean two.'
'Three is correct: I am afraid it would take too long to explain why, even if you understood our language.' "

Page 68

Into the Comet


"Pickett's fingers danced over the beads, sliding them up and down the wires with lightning speed. There were twelve wires in all, so that the abacus could handle numbers up to 999,999,999,999 - or could be divided into separate sections where several independent calculations could be carried out simultaneously.
'374072,' said Pickett, after an incredibly brief interval of time. 'Now see how long you take to do it, with pencil and paper.'
There was a much longer delay before Martens, who like most mathematicians was poor at arithmetic, called out '375072'. A hasty check soon confirmed that Martens had taken at least three times as long as Pickett to arrive at the wrong answer.
The atronomer's face was a study in mingled chagrin, astonishment, and curiosity.
'Where did you learn that trick?' he asked. 'I thought those things could only add and subtract.'
'Well - multiplication's only repeated addition, isn't it? All I did was to add 856 seven times in the unit column, three times in the tens column, and four times in the hundreds column. You do the same thing when you use pencil and paper. Of course, there are some short cuts, but if you think I'm fast, you should have seen my granduncle. He used to work in a Yokohama bank, and you couldn't see his fingers / Page 69 / when he was going at speed"

 

 

I

SAY

THREAD THAT THREAD

THREAD READ DEATH DEATH READ THREAD

THREAD R DEATH DEATH R THREAD

THREAD READ DEAR THREAD

 

 

THE NEW ELIZABETHAN

REFERENCE DICTIONARY

An up-to-date vocabulary of the living English language

Circa 1900

FOURTH EDITION

Page 1472

thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.

 

 

THE NEW ELIZABETHAN

REFERENCE DICTIONARY

An up-to-date vocabulary of the living English language

FOURTH EDITION

Circa 1900

Page 1472

thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.

 

 

lisle thread: lisle thread

A strong tightly twisted cotton thread (usually made of long-staple cotton) - lisle. Derived forms: lisle threads. Type of: cotton. Nearest ... www.wordwebonline.com/en/LISLETHREAD

 

 

Definition - of Lisle from Dictionary.net

Lisle thread, a hard twisted cotton thread, originally produced at Lisle. Source: Webster's Revised Unabridged Dictionary (1913) ... www.dictionary.net/lisle - 9k

 

 

CASSELL'S ENGLISH DICTIONARY

1974

Lisle thread (lil thred) [ town in France, now Lille], n, A fine, hard thread orig. made at Lille.

 

 

L
=
3
4
LIFE
32
23
5
H
=
8
7
HANGING
60
42
6
B
=
2
2
BY
27
9
9
A
=
1
1
A
1
1
1
T
=
2
6
THREAD
56
29
2
-
-
16
20
First Total
176
104
23
-
-
1+6
2+0
Add to Reduce
1+7+6
1+0+4
2+3
Q
-
7
2
Second Total
14
5
5
-
-
-
-
Reduce to Deduce
1+4
-
-
-
-
7
2
Essence of Number
5
5
5

 

 

-
THREAD
-
-
-
1
R
18
9
9
5
DEATH
38
20
2
6
THREAD
56
29
2

 

LIFE HANGING BY A THREAD

 

-
20
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
-
-
-
--
-
-
-
-
44
-
-
9
-
-
-
8
-
5
-
9
5
-
-
-
-
-
-
-
-
8
-
-
-
-
+
=
44
4+4
=
8
=
8
=
8
62
-
-
9
-
-
-
8
-
14
-
9
14
-
-
-
-
-
-
-
-
8
-
-
-
-
+
=
62
6+2
=
8
=
8
=
8
-
20
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
-
-
-
--
-
-
-
-
60
-
3
-
6
5
-
-
1
-
7
-
-
7
-
2
7
-
1
-
2
-
9
5
1
4
+
=
60
6+0
=
6
=
6
=
6
114
-
12
-
6
5
-
-
1
-
7
-
-
7
-
2
25
-
1
-
20
-
18
5
1
4
+
=
114
1+1+4
=
6
=
6
=
6
-
20
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
-
-
-
--
-
-
-
-
176
-
12
9
6
5
-
8
1
14
7
9
14
7
-
2
25
-
1
-
20
8
18
5
1
4
+
=
176
1+7+6
=
14
1+4
5
=
5
104
-
3
9
6
5
-
8
1
5
7
9
5
7
-
2
7
-
1
-
2
8
9
5
1
4
+
=
104
1+0+4
=
5
=
5
=
5
-
20
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
-
-
-
1
occurs
x
3
=
3
=
3
2
``-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
2
-
-
-
-
-
-
-
2
occurs
x
2
=
4
=
4
3
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
=
4
5
-
-
-
-
5
-
-
-
5
-
-
5
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
4
=
20
2+0
2
6
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
7
-
-
-
-
-
-
-
-
-
7
-
-
7
-
-
7
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
3
=
21
2+1
3
8
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
9
-
-
9
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
9
occurs
x
3
=
27
2+7
9
45
20
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
45
-
-
20
-
104
-
41
4+5
2+0
-
9
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
4+5
-
-
2+0
-
1+0+4
-
4+1
9
2
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
9
-
-
2
-
5
-
5
-
-
3
9
6
5
-
8
1
5
7
9
5
7
-
2
7
-
1
-
2
8
9
5
1
4
-
-
-
-
-
-
-
-
-
-
9
2
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
9
-
-
2
-
5
-
5

 

 

THE LIGHT IS RISING RISING IS THE LIGHT

 

 

2
IS
28
10
1
9
UNIVERSAL
121
40
4
4
MIND
40
22
4
3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
33
First Total
378
162
27
3+3
Add to Reduce
3+7+8
1+6+2
2+7
6
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
6
Essence of Number
9
9
9

 

 

9
UNIVERSAL
121
40
4
4
MIND
40
22
4
2
IS
28
10
1
3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
33
First Total
378
162
27
3+3
Add to Reduce
3+7+8
1+6+2
2+7
6
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
6
Essence of Number
9
9
9

 

 

E
=
5
-
2
EX
11
2
2
U
=
3
-
6
UMBRIS
82
28
1
E
=
5
-
2
ET
25
7
7
I
=
9
-
10
IMAGINIBUS
104
50
5
I
=
9
-
2
IN
23
14
5
V
=
4
-
9
VERITATEM
113
41
5
-
-
35
-
31
First Total
358
142
25
-
-
3+5
-
3+1
Add to Reduce
3+5+8
1+4+2
2+5
-
-
8
-
4
Second Total
16
7
7
-
-
-
-
-
Reduce to Deduce
1+6
-
-
-
-
8
-
4
Essence of Number
7
7
7

 

 

O
=
6
-
3
OUT
56
11
2
O
=
6
-
2
OF
21
12
3
S
=
1
-
7
SHADOWS
89
26
8
A
=
1
-
3
AND
82
28
1
P
=
7
-
9
PHANTASMS
111
30
3
I
=
9
-
4
INTO
58
22
4
T
=
2
-
5
TRUTH
87
24
6
-
-
32
-
33
Add to Reduce
441
135
27
-
-
3+2
-
3+3
Reduce to Deduce
4+4+1
1+3+5
2+7
-
-
5
-
6
Essence of Number
9
9
9

 

 

I

ME

TIME O TIME

THE CLOCKS ALL SAY THAT THE HOURS OF HORUS HAVE ARRIVED UPON US

THE

SCATTERED

DICE ALL READ FIVE

GODS NUMBERS NUMBERS GODS

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

ZE R O, T H+R+E+E, F, O+U, R, F I V+E, S I X, S, E+V, N, E, I, GHT, N, I, NE, = 9,9,9,9,9,9,9,9,9,9

 

 

GODS OF NUMBERS NUMBERS OF GODS

GOD GO DO GOOD GOOD DO GO GOD

GODGODOGOOD GOODDOGOGOD

 

 

EVOLVE LOVE EVOLVED LOVE IS LOVE EVOLVED LOVE EVOLVE

LOVE THE LIGHT THE LIGHT IS LOVE IS LIGHT THE LIGHT THE LOVE

LOVE ALL SENTIENT BEINGS BEINGS SENTIENT ALL LOVE

ALL SENTIENT LIFE ART THOU THAT I THAT ME THAT I THOU ART LIFE SENTIENT ALL

 

 

I

ME

ART

THOU ART THAT ART THOU

CREATORS ALL ALL CREATORS

THAT ART THOU THOU ART THAT

GOD SPIRIT ART THOU THOU ART GOD SPIRIT

MIND MATTER SPIRIT GOD SPIRIT MATTER MIND

THOU ART UNIVERSAL MIND GODS UNIVERSAL MIND ART THOU

 

 

P
=
7
-
8
PRAKRITI
32
23
5
P
=
7
-
7
PURUSHA
60
42
6
S
=
1
-
6
SHAKTI
56
29
2
-
-
15
-
21
First Total
274
103
13
-
-
1+5
-
2+1
Add to Reduce
2+7+4
1+0+3
1+3
Q
-
4
-
4
Second Total
13
4
4
-
-
-
-
-
Reduce to Deduce
1+3
-
-
-
-
6
-
3
Essence of Number
4
4
4

 

Prakrti or Prakriti (from Sanskrit language प्रकृ्रति, prakṛti) is, ... Devi Prakriti Shakti in the context of Shaktis as forces unifies Kundalini, ... en.wikipedia.org/wiki/Prakrti

Prakrti From Wikipedia

Prakrti or Prakriti (from Sanskrit language प्रकृ्रति, prakṛti) is, according to Vedanta philosophy, the basic matter of which the Universe consists. It is composed of the three gunas or modes, known as tamas (ignorance), rajas (passion) and sattva (goodness).
 
It is described in Bhagavad Gita as an inferior type of energy to the living beings (jivas), and to the Supreme Person (Paramatma or Bhagavan). It is closely associated with the concept of Maya within Vedic scripture.
 
Devi Prakriti Shakti in the context of Shaktis as forces unifies Kundalini, Kriya, Itcha, Para, Jnana, Mantrika Shaktis. Each is in a chakra.
 
Prakriti also means nature. Nature can be described as environment. It can also be used to denote the 'feminine' in sense of the 'male' being the purusha.
 
According to ayurveda our body is made up of three doshas kapha, pitta, vayu. The balance or imbalance of these doshas defines the prakriti of our body (besides Devi Prakriti in sahasrara chakra.)

 

Prakrti or Prakriti (from Sanskrit language प्रकृ्रति, prakṛti) is, ... Devi Prakriti Shakti in the context of Shaktis as forces unifies Kundalini, ... en.wikipedia.org/wiki/Prakrti
 
 
 
Prakrti From Wikipedia
 
 
 
Jump to: navigation, search
 
Prakrti or Prakriti (from Sanskrit language प्रकृ्रति, prakṛti) is, according to Vedanta philosophy, the basic matter of which the Universe consists. It is composed of the three gunas or modes, known as tamas (ignorance), rajas (passion) and sattva (goodness).
 
It is described in Bhagavad Gita as an inferior type of energy to the living beings (jivas), and to the Supreme Person (Paramatma or Bhagavan). It is closely associated with the concept of Maya within Vedic scripture.
 
Devi Prakriti Shakti in the context of Shaktis as forces unifies Kundalini, Kriya, Itcha, Para, Jnana, Mantrika Shaktis. Each is in a chakra.
 
Prakriti also means nature. Nature can be described as environment. It can also be used to denote the 'feminine' in sense of the 'male' being the purusha.
 
According to ayurveda our body is made up of three doshas kapha, pitta, vayu. The balance or imbalance of these doshas defines the prakriti of our body (besides Devi Prakriti in sahasrara chakra.)

 

 

-
8
P
R
A
K
R
I
T
I
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
-
9
-
9
+
=
18
1+8
=
9
=
9
=
9
-
-
-
-
-
-
-
9
-
9
+
=
18
1+8
=
9
=
9
=
9
-
8
P
R
A
K
R
I
T
I
-
-
-
-
-
--
-
-
-
-
-
-
7
9
1
2
9
-
2
-
+
=
30
3+1
=
3
=
3
=
3
-`
-
16
18
1
11
18
-
20
-
+
=
84
8+4
=
12
1+2
3
=
3
-
8
P
R
A
K
R
I
T
I
-
-
-
-
-
--
-
-
-
-
-
-
16
18
1
11
18
9
20
9
+
=
102
1+0+2
=
9
=
9
=
9
-
-
7
9
1
2
9
9
2
9
+
=
48
3+6
=
9
=
9
=
9
-
8
P
R
A
K
R
I
T
I
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-``
1
occurs
x
1
=
1
=
1
-
-
-
-
-
2
-
-
2
-
-
-
2
occurs
x
2
=
4
=
4
3
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
8
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
9
-
-
9
9
-
9
-
-
9
occurs
x
4
=
36
3+6
9
26
8
P
R
A
K
R
I
T
I
-
-
19
-
-
8
-
48
-
21
2+6
-
-
9
-
-
9
9
-
9
-
-
1+9
-
-
-
-
4+8
-
2+1
8
8
P
R
A
K
R
I
T
I
-
-
10
-
-
8
-
12
-
3
-
-
7
9
1
2
9
9
2
9
-
-
1+0
-
-
-
-
1+2
-
-
8
8
P
R
A
K
R
I
T
I
-
-
1
-
-
8
-
3
-
3

 

 

8
P
R
A
K
R
I
T
I
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
9
-
9
+
=
18
1+8
=
9
=
9
=
9
-
-
-
-
-
-
9
-
9
+
=
18
1+8
=
9
=
9
=
9
8
P
R
A
K
R
I
T
I
-
-
-
-
-
--
-
-
-
-
-
7
9
1
2
9
-
2
-
+
=
30
3+1
=
3
=
3
=
3
-
16
18
1
11
18
-
20
-
+
=
84
8+4
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12
1+2
3
=
3
8
P
R
A
K
R
I
T
I
-
-
-
-
-
--
-
-
-
-
-
16
18
1
11
18
9
20
9
+
=
102
1+0+2
=
9
=
9
=
9
-
7
9
1
2
9
9
2
9
+
=
48
3+6
=
9
=
9
=
9
8
P
R
A
K
R
I
T
I
-
-
-
-
-
-
-
-
-
-
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-
-
1
-
-
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1
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1
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-
-
-
-
2
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4
=
4
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7
-
-
-
-
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-
-
-
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7
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1
=
7
=
7
-
-
9
-
-
9
9
-
9
-
-
9
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4
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36
3+6
9
8
P
R
A
K
R
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T
I
-
-
19
-
-
8
-
48
-
21
-
-
9
-
-
9
9
-
9
-
-
1+9
-
-
-
-
4+8
-
2+1
8
P
R
A
K
R
I
T
I
-
-
10
-
-
8
-
12
-
3
-
7
9
1
2
9
9
2
9
-
-
1+0
-
-
-
-
1+2
-
-
8
P
R
A
K
R
I
T
I
-
-
1
-
-
8
-
3
-
3

 

 

The Vedic divinities are considered to be the human mind's interpretation of the many facets of Purusha. According to the Rigvedic Purusha sukta, ... en.wikipedia.org/wiki/Purusha

 

PurushaFrom Wikipedia, the free encyclopedia
Jump to: navigation, search

In Hinduism, Purusha (Sanskrit puruṣa, पुरुष "man, Cosmic Man", in Sutra literature also called puṃs "man") is the "self" which pervades the universe. The Vedic divinities are considered to be the human mind's interpretation of the many facets of Purusha. According to the Rigvedic Purusha sukta, Purusha was dismembered by the devas -- his mind is the Moon, his eyes are the Sun, and his breath is the wind.

In the Rigveda, Purusha is described as a primeval giant, not unlike the Norse Ymir[citation needed], that is sacrificed by the gods (see Purushamedha) and from whose body the world and the varnas (castes) are built. He is described as having a thousand heads and a thousand feet. He emanated Viraj, the female creative principle, from which he is reborn in turn before the world was made out of his parts.

In the sacrifice of Purusha, the Vedic chants were first created. The horses and cows were born, the Brahmins were made from Purusha's mouth, the Kshatriyas from his arms, the Vaishyas from his thighs, and the Shudras from his feet.[2] The Moon was born from his spirit, the Sun from his eyes, the heavens from his skull. Indra and Agni emerged from his mouth.

The parallel to Norse Ymir is often considered to reflect the myth's origin in Proto-Indo-European religion.

In Samkhya, a school of Hindu philosophy, Purusha is pure consciousness. It is thought to be our true identity, to be contrasted with Prakrti, or the material world, which contains all of our organs, senses, and intellectual faculties.

 

 

The Vedic divinities are considered to be the human mind's interpretation of the many facets of Purusha. According to the Rigvedic Purusha sukta, ... en.wikipedia.org/wiki/Purusha
 
 
 
PurushaFrom Wikipedia, the free encyclopedia
 
 
 
Jump to: navigation, search
 
In Hinduism, Purusha (Sanskrit puruṣa, पुरुष "man, Cosmic Man", in Sutra literature also called puṃs "man") is the "self" which pervades the universe. The Vedic divinities are considered to be the human mind's interpretation of the many facets of Purusha. According to the Rigvedic Purusha sukta, Purusha was dismembered by the devas -- his mind is the Moon, his eyes are the Sun, and his breath is the wind.
 
In the Rigveda, Purusha is described as a primeval giant, not unlike the Norse Ymir[citation needed], that is sacrificed by the gods (see Purushamedha) and from whose body the world and the varnas (castes) are built. He is described as having a thousand heads and a thousand feet. He emanated Viraj, the female creative principle, from which he is reborn in turn before the world was made out of his parts.
 
In the sacrifice of Purusha, the Vedic chants were first created. The horses and cows were born, the Brahmins were made from Purusha's mouth, the Kshatriyas from his arms, the Vaishyas from his thighs, and the Shudras from his feet.[2] The Moon was born from his spirit, the Sun from his eyes, the heavens from his skull. Indra and Agni emerged from his mouth.
 
The parallel to Norse Ymir is often considered to reflect the myth's origin in Proto-Indo-European religion.
 
In Samkhya, a school of Hindu philosophy, Purusha is pure consciousness. It is thought to be our true identity, to be contrasted with Prakrti, or the material world, which contains all of our organs, senses, and intellectual faculties.

 

 

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U
R
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A
-
-
-
-
-
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9
-
=
9
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9
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21
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21
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104
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32
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-
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-
-
-
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8
-
-
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8
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8
-
-
-
-
9
-
-
-
-
-
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9
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x
1
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9
17
7
P
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R
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S
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-
-
28
-
-
7
-
32
1+7
-
-
-
9
-
-
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-
-
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2+8
-
-
-
-
3+2
8
7
P
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R
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A
-
-
10
-
-
7
-
5
-
-
7
3
9
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8
1
-
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-
-
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8
7
P
U
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U
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H
A
-
-
1
-
-
7
-
5

 

 

7
P
U
R
U
S
H
A
-
-
-
-
-
--
-
-
-
-
-
-
-
1
8
-
+
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9
-
=
9
=
9
-
-
-
-
-
19
8
-
+
=
27
2+7
=
9
=
9
7
P
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R
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-
-
-
-
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--
-
-
-
7
3
9
3
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1
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23
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=
5
=
5
-
16
21
18
21
-
-
1
+
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77
7+7
=
14
1+4
5
7
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S
H
A
-
-
-
-
-
--
-
-
-
16
21
18
21
19
8
1
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104
1+0+4
=
9
=
9
-
7
3
9
3
1
8
1
+
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32
3+2
=
9
=
9
7
P
U
R
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-
-
-
-
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2
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-
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2
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6
-
7
-
-
-
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-
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7
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1
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7
-
-
-
-
-
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8
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-
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8
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8
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9
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7
P
U
R
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S
H
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-
28
-
-
7
-
32
-
-
-
9
-
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-
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2+8
-
-
-
-
3+2
7
P
U
R
U
S
H
A
-
-
10
-
-
7
-
5
-
7
3
9
3
1
8
1
-
-
1+0
-
-
-
-
-
7
P
U
R
U
S
H
A
-
-
1
-
-
7
-
5

 

 

Shakti, meaning sacred force, power, or energy, is the Hindu concept or personification of the divine feminine aspect, sometimes referred to as 'The Divine ... en.wikipedia.org/wiki/Shakti

Shakti, meaning sacred force, power, or energy, is the Hindu concept or personification of the divine feminine aspect, sometimes referred to as 'The Divine Mother'. Shakti represents the active, dynamic principles of feminine power. In Shaktism, Shakti is worshiped as the Supreme Being. However, in other Hindu traditions of Shaivism and Vaishnavism, Shakti embodies the active feminine energy Prakriti of Purusha, who is Vishnu in Vaishnavism or Shiva in Shaivism. Vishnu's female counterpart is called Lakshmi, with Parvati being the female half of Shiva.

In traditional Shiva-associated Shaktism

Shaktism regards Devi (lit., "the Goddess") as the Supreme Brahman itself, the "one without a second", with all other forms of divinity, female or male, considered to be merely Her diverse manifestations. In the details of its philosophy and practice, Shaktism resembles Saivism. However, Shaktas (Sanskrit: Śakta, शक्त), practitioners of Shaktism, focus most or all worship on Shakti, as the dynamic feminine aspect of the Supreme Divine. Shiva, the masculine aspect of divinity, is considered solely transcendent, and Shiva's worship is generally relegated to an auxiliary role.[1]

In Vaishnavism

Like Shiva-associated Shaktism, Shakti embodies the active feminine energy and power of male supreme deity Vishnu in Vaishnavism. Vishnu's female counterpart is called Lakshmi. However, in Srivaishnavism, a school of Vaishnavism, Lakshmi or Sri does not play any particular part in the creative function of the Lord, because Prakriti is the manifest aspect of the Lord. [2] In Srivaishnavism, Vishnu alone is the great creator, although Sri is coeval with Him.[3] As Vishnu is the Father who stands for absolute justice, Sri is the Mother of the universe and is considered to be important element in the redemption of mankind, and is the interceder with Vishnu on behalf of spiritual seekers.[4]

In Smarta Advaita tradition

In the Smarta Advaita sect of Hinduism, Shakti is considered to be one of five equal bonafide personal forms of God in the panchadeva system advocated by Adi Shankara. [5]

Evolution

David Kinsley believes that the concept of "Shakti" may be derived from Lord Indra's consort Sachi (Indrani), meaning power.[6] Indrani is part of a group of seven or eight mother goddesses called the Matrikas (Brahmani, Vaishnavi, Maheshvari, Indrani, Kumari, Varahi and Chamunda and/or Narasimhi), who are considered shaktis of major Hindu gods(Brahma, Vishnu, Shiva, Indra, Skanda, Varaha/Yama and Devi and Narasimha respectively).

The Shakti goddess is also known as Amma (meaning 'mother') in south India, especially in the states of Tamil Nadu,Kerala and Andhra Pradesh. There are many temples devoted to various incarnations of the Shakti goddess in most of the villages in South India. The rural people believe that Shakti is the protector of the village, the punisher of evil people, the curer of diseases, and the one who gives welfare to the village. They celebrate Shakti Jataras with a lot of hue and great interest once a year. Some examples of incarnations are Gangamma, Aarti, Kamakshamma, Kanakadurga, Mahalakshmammma, Meeenakshamma, Poleramma and Perantalamma.

 

 

Shakti, meaning sacred force, power, or energy, is the Hindu concept or personification of the divine feminine aspect, sometimes referred to as 'The Divine ... en.wikipedia.org/wiki/Shakti
 
Shakti, meaning sacred force, power, or energy, is the Hindu concept or personification of the divine feminine aspect, sometimes referred to as 'The Divine Mother'. Shakti represents the active, dynamic principles of feminine power. In Shaktism, Shakti is worshiped as the Supreme Being. However, in other Hindu traditions of Shaivism and Vaishnavism, Shakti embodies the active feminine energy Prakriti of Purusha, who is Vishnu in Vaishnavism or Shiva in Shaivism. Vishnu's female counterpart is called Lakshmi, with Parvati being the female half of Shiva.
 
Contents[ hide]
 
1 In traditional Shiva-associated Shaktism
 
2 In Vaishnavism
 
3 In Smarta Advaita tradition
 
4 Evolution
 
5 Shakti Peethas
 
6 Adi Shakti
 
7 Shakti force: Devi Prakriti
 
8 Standard representation
 
9 See also
 
10 Further reading
 
11 Notes
 
12 External links
 
 
 
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In traditional Shiva-associated Shaktism
 
Shaktism regards Devi (lit., "the Goddess") as the Supreme Brahman itself, the "one without a second", with all other forms of divinity, female or male, considered to be merely Her diverse manifestations. In the details of its philosophy and practice, Shaktism resembles Saivism. However, Shaktas (Sanskrit: Śakta, शक्त), practitioners of Shaktism, focus most or all worship on Shakti, as the dynamic feminine aspect of the Supreme Divine. Shiva, the masculine aspect of divinity, is considered solely transcendent, and Shiva's worship is generally relegated to an auxiliary role.[1]
 
 
 
In Vaishnavism
 
Like Shiva-associated Shaktism, Shakti embodies the active feminine energy and power of male supreme deity Vishnu in Vaishnavism. Vishnu's female counterpart is called Lakshmi. However, in Srivaishnavism, a school of Vaishnavism, Lakshmi or Sri does not play any particular part in the creative function of the Lord, because Prakriti is the manifest aspect of the Lord. [2] In Srivaishnavism, Vishnu alone is the great creator, although Sri is coeval with Him.[3] As Vishnu is the Father who stands for absolute justice, Sri is the Mother of the universe and is considered to be important element in the redemption of mankind, and is the interceder with Vishnu on behalf of spiritual seekers.[4]
 
 
 
In Smarta Advaita tradition
 
In the Smarta Advaita sect of Hinduism, Shakti is considered to be one of five equal bonafide personal forms of God in the panchadeva system advocated by Adi Shankara. [5]
 
 
 
Evolution
 
David Kinsley believes that the concept of "Shakti" may be derived from Lord Indra's consort Sachi (Indrani), meaning power.[6] Indrani is part of a group of seven or eight mother goddesses called the Matrikas (Brahmani, Vaishnavi, Maheshvari, Indrani, Kumari, Varahi and Chamunda and/or Narasimhi), who are considered shaktis of major Hindu gods(Brahma, Vishnu, Shiva, Indra, Skanda, Varaha/Yama and Devi and Narasimha respectively).
 

The Shakti goddess is also known as Amma (meaning 'mother') in south India, especially in the states of Tamil Nadu,Kerala and Andhra Pradesh. There are many temples devoted to various incarnations of the Shakti goddess in most of the villages in South India. The rural people believe that Shakti is the protector of the village, the punisher of evil people, the curer of diseases, and the one who gives welfare to the village. They celebrate Shakti Jataras with a lot of hue and great interest once a year. Some examples of incarnations are Gangamma, Aarti, Kamakshamma, Kanakadurga, Mahalakshmammma, Meeenakshamma, Poleramma and Perantalamma.

 

6
SHAKTI
-
-
-
-
S+H
27
18
9
-
A+K+T
32
5
5
1
I
9
9
9
6
SHAKTI
-
-
-

 

 

-
6
S
H
A
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T
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-
-
-
-
-
--
-
-
-
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8
-
-
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18
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9
-
9
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19
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6
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H
A
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20
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-
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6
S
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-
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6+8
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-
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25
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S
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6
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H
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9
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27
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H
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5
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S
H
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S
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A
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6
-
5

 

 

Kundalini is considered a part of the subtle body along with chakras (energy centres) and nadis (channels). The overall concept has many points in common ... en.wikipedia.org/wiki/Kundalini

Kundalini
From Wikipedia, the free encyclopedia
Jump to: navigation, search
The references used in this article may be clearer with a different or consistent style of citation, footnoting, or external linking.
This article cites its sources but does not provide page references.
You can improve this article by introducing citations that are more precise.

Kundalini (kuṇḍalinī कुण्डलिनी) Sanskrit, literally "coiled". In Indian yoga, a "corporeal energy"[1] - an unconscious, instinctive or libidinal force or Shakti, envisioned either as a goddess or else as a sleeping serpent coiled at the base of the spine,[2][3][4] hence a number of English renderings of the term such as 'serpent power'. Kundalini is considered a part of the subtle body along with chakras (energy centres) and nadis (channels). The overall concept has many points in common with Chinese acupuncture.

Yoga and Tantra propose that this energy may be "awakened" by such means as austerities, breath and other physical exercises, visualization and chanting. It may then rise up a subtle channel at the spine (called Sushumna) to the head, bringing psychological illumination. Each chakra is said to contain special characteristics.[5] Yogis tend to attempt this alone, Tantrics in couples, both usually under the instruction of a guru.

When Kundalini Shakti is conceived as a goddess, then, when it rises to the head, it unites itself with the Supreme Being (Lord Shiva). The aspirant becomes engrossed in deep meditation and infinite bliss.[6][7]

Contents[hide]
// if (window.showTocToggle) { var tocShowText = "show"; var tocHideText = "hide"; showTocToggle(); } //

[edit] Indian sources

A number of models of this esoteric subtle anatomy occur in the class of texts known as Āgamas or Tantras, a large body of scriptures, rejected by many orthodox brahmins.[8] In early texts there are various systems of chakras and nadis, with varying connections between them. Over time a system of six or seven chakras up the spine was adopted by most schools. This particular system, which may have originated in about the 11th century AD, rapidly became widely popular.[9] This is the conventional arrangement cited by Monier-Williams, where the chakras are defined as "6 in number, one above the other".[10]

The most famous of the Yoga Upanishads, the Yogatattva, mentions four kinds of yoga, one of which, laya-yoga, involves Kundalini.[11] Another source text for the concept is the Hatha Yoga Pradipika written by Swami Svatmarama (English translation, 1992) somewhere between the twelfth and fifteenth centuries.[12][citation needed]

[edit] Western interpretation

Sir John Woodroffe (pen name Arthur Avalon) was one of the first to bring the notion of Kundalini to the West. A High Court Judge in Calcutta, he became interested in Shaktism and Hindu Tantra. His translation of and commentary on two key texts was published as The Serpent Power. Woodroffe rendered Kundalini as "Serpent Power".

Western awareness of the idea of Kundalini was strengthened by the Theosophical Society and the interest of the psychoanalyst Carl Jung (1875-1961)[2]. "Jung's seminar on Kundalini yoga, presented to the Psychological Club in Zurich in 1932, has been widely regarded as a milestone in the psychological understanding of Eastern thought. Kundalini yoga presented Jung with a model for the development of higher consciousness, and he interpreted its symbols in terms of the process of individuation".[13]

In the early '30s two Italian scholars, Tommaso Palamidessi and Julius Evola, published several books with the intent of re-interpreting alchemy with reference to yoga.[14] Those works had an impact on modern interpretations of Alchemy as a mystical science. In those works, Kundalini is called an Igneous Power or Serpentine Fire.

Another popularizer of the concept of Kundalini among Western readers was Gopi Krishna. His autobiography is entitled Kundalini—The Evolutionary Energy in Man.[15] According to June McDaniel, his writings have influenced Western interest in kundalini yoga.[16] Swami Sivananda produced an English language manual of Kundalini Yoga methods. Other well-known spiritual teachers who have made use of the idea of kundalini include Osho, George Gurdjieff, Paramahansa Yogananda, Rudi (Swami Rudrananda), Yogi Bhajan and Nirmala Srivastava.

Kundalini references may commonly be found at present in a wide variety of derivative "New Age" presentations. Stuart Sovatsky warns that the popularization of the term within new religious movements has not always contributed to a mature understanding of the concept.[17]

Recently, there has been a growing interest within the medical community to study the physiological effects of meditation, and some of these studies have applied the discipline of Kundalini Yoga to their clinical settings.[18][19] Their findings are not all positive. Researchers in the fields of Humanistic psychology,[20] Transpersonal psychology,[21] and Near-death studies[22][23] describe a complex pattern of sensory, motor, mental and affective symptoms associated with the concept of Kundalini, sometimes called the Kundalini Syndrome.[24]

Lukoff, Lu & Turner[25][citation needed] notes that a number of psychological difficulties might be associated with Asian spiritual practices, and that Asian traditions recognize a number of pitfalls associated with intensive meditation practice. Transpersonal literature[26] also notes that kundalini practice is not without dangers. Anxiety, dissociation, depersonalization, altered perceptions, agitation, and muscular tension have been observed in western meditation practitioners[27] and psychological literature is now addressing the occurrence of meditation-related problems in Western contemplative life.[28][29]

Some modern experimental research [30]seeks to establish links between Kundalini practice and the ideas of Wilhelm Reich and his followers.

[edit] See also

 

 

Kundalini is considered a part of the subtle body along with chakras (energy centres) and nadis (channels). The overall concept has many points in common ... en.wikipedia.org/wiki/Kundalini
 
Kundalini From Wikipedia, the free encyclopedia
 
Jump to: navigation, search
 
 
 
The references used in this article may be clearer with a different or consistent style of citation, footnoting, or external linking.
 
 
 
This article cites its sources but does not provide page references.
You can improve this article by introducing citations that are more precise.
 
 
 
Kundalini (kuṇḍalinī कुण्डलिनी) Sanskrit, literally "coiled". In Indian yoga, a "corporeal energy"[1] - an unconscious, instinctive or libidinal force or Shakti, envisioned either as a goddess or else as a sleeping serpent coiled at the base of the spine,[2][3][4] hence a number of English renderings of the term such as 'serpent power'. Kundalini is considered a part of the subtle body along with chakras (energy centres) and nadis (channels). The overall concept has many points in common with Chinese acupuncture.
 
Yoga and Tantra propose that this energy may be "awakened" by such means as austerities, breath and other physical exercises, visualization and chanting. It may then rise up a subtle channel at the spine (called Sushumna) to the head, bringing psychological illumination. Each chakra is said to contain special characteristics.[5] Yogis tend to attempt this alone, Tantrics in couples, both usually under the instruction of a guru.
 
When Kundalini Shakti is conceived as a goddess, then, when it rises to the head, it unites itself with the Supreme Being (Lord Shiva). The aspirant becomes engrossed in deep meditation and infinite bliss.[6][7]
 
Contents[hide]
 
1 Indian sources
 
2 Western interpretation
 
3 See also
 
4 Notes
 
5 References
 
6 Further reading
 
7 External links
 
// if (window.showTocToggle) { var tocShowText = "show"; var tocHideText = "hide"; showTocToggle(); } //
 
[edit] Indian sources A number of models of this esoteric subtle anatomy occur in the class of texts known as Āgamas or Tantras, a large body of scriptures, rejected by many orthodox brahmins.[8] In early texts there are various systems of chakras and nadis, with varying connections between them. Over time a system of six or seven chakras up the spine was adopted by most schools. This particular system, which may have originated in about the 11th century AD, rapidly became widely popular.[9] This is the conventional arrangement cited by Monier-Williams, where the chakras are defined as "6 in number, one above the other".[10]
 
The most famous of the Yoga Upanishads, the Yogatattva, mentions four kinds of yoga, one of which, laya-yoga, involves Kundalini.[11] Another source text for the concept is the Hatha Yoga Pradipika written by Swami Svatmarama (English translation, 1992) somewhere between the twelfth and fifteenth centuries.[12][citation needed]
 
[edit] Western interpretation Sir John Woodroffe (pen name Arthur Avalon) was one of the first to bring the notion of Kundalini to the West. A High Court Judge in Calcutta, he became interested in Shaktism and Hindu Tantra. His translation of and commentary on two key texts was published as The Serpent Power. Woodroffe rendered Kundalini as "Serpent Power".
 
Western awareness of the idea of Kundalini was strengthened by the Theosophical Society and the interest of the psychoanalyst Carl Jung (1875-1961)[2]. "Jung's seminar on Kundalini yoga, presented to the Psychological Club in Zurich in 1932, has been widely regarded as a milestone in the psychological understanding of Eastern thought. Kundalini yoga presented Jung with a model for the development of higher consciousness, and he interpreted its symbols in terms of the process of individuation".[13]
 
In the early '30s two Italian scholars, Tommaso Palamidessi and Julius Evola, published several books with the intent of re-interpreting alchemy with reference to yoga.[14] Those works had an impact on modern interpretations of Alchemy as a mystical science. In those works, Kundalini is called an Igneous Power or Serpentine Fire.
 
Another popularizer of the concept of Kundalini among Western readers was Gopi Krishna. His autobiography is entitled Kundalini—The Evolutionary Energy in Man.[15] According to June McDaniel, his writings have influenced Western interest in kundalini yoga.[16] Swami Sivananda produced an English language manual of Kundalini Yoga methods. Other well-known spiritual teachers who have made use of the idea of kundalini include Osho, George Gurdjieff, Paramahansa Yogananda, Rudi (Swami Rudrananda), Yogi Bhajan and Nirmala Srivastava.
 
Kundalini references may commonly be found at present in a wide variety of derivative "New Age" presentations. Stuart Sovatsky warns that the popularization of the term within new religious movements has not always contributed to a mature understanding of the concept.[17]
 
Recently, there has been a growing interest within the medical community to study the physiological effects of meditation, and some of these studies have applied the discipline of Kundalini Yoga to their clinical settings.[18][19] Their findings are not all positive. Researchers in the fields of Humanistic psychology,[20] Transpersonal psychology,[21] and Near-death studies[22][23] describe a complex pattern of sensory, motor, mental and affective symptoms associated with the concept of Kundalini, sometimes called the Kundalini Syndrome.[24]
 
Lukoff, Lu & Turner[25][citation needed] notes that a number of psychological difficulties might be associated with Asian spiritual practices, and that Asian traditions recognize a number of pitfalls associated with intensive meditation practice. Transpersonal literature[26] also notes that kundalini practice is not without dangers. Anxiety, dissociation, depersonalization, altered perceptions, agitation, and muscular tension have been observed in western meditation practitioners[27] and psychological literature is now addressing the occurrence of meditation-related problems in Western contemplative life.[28][29]
 
Some modern experimental research [30]seeks to establish links between Kundalini practice and the ideas of Wilhelm Reich and his followers.
 
[edit] See also Kaula
 
Kundalini Yoga
 
Prana
 
Qi
 
Qigong
 
Samādhi
 
 
 
Pranotthana
 
Shaktipat
 
Taoist sexual practices
 
Tummo
 
Turiya
 
Peak experience
 

 

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-
-
-
-
KUNDALINI
-
-
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2
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1
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KUNDALINI
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-
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=
1
-
-
-
14
-
-
-
9
14
9
+
=
46
4+6
=
10
1+0
1
=
1
9
K
U
N
D
A
L
I
N
I
-
-
-
-
-
-
-
-
-
-
-
2
3
-
4
1
3
-
-
-
+
=
13
1+3
=
4
=
4
=
4
-
11
21
-
4
1
12
-
-
-
+
=
49
4+9
=
13
1+3
4
=
4
9
K
U
N
D
A
L
I
N
I
-
-
-
-
-
-
-
-
-
-
-
11
21
14
4
1
12
9
14
9
+
=
95
9+5
=
14
1+4
5
=
5
-
2
3
5
4
1
3
9
5
9
+
=
41
4+1
=
5
=
5
=
5
9
K
U
N
D
A
L
I
N
I
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
2
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
--
-
3
-
-
-
3
-
-
-
-
-
3
occurs
x
2
=
6
=
6
-
-
-
-
4
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
5
-
-
-
-
5
-
-
-
5
occurs
x
2
=
10
1+0
1
--
-
-
-
-
-
-
9
-
9
-
-
9
occurs
x
2
=
18
1+8
9
9
K
U
N
D
A
L
I
N
I
-
-
24
-
-
9
-
41
-
23
-
-
-
-
-
-
-
9
-
9
-
-
2+4
-
-
-
-
4+1
-
2+3
9
K
U
N
D
A
L
I
N
I
-
-
6
-
-
9
-
5
-
5
-
2
3
5
4
1
3
9
5
9
-
-
-
-
-
-
-
-
-
-
9
K
U
N
D
A
L
I
N
I
-
-
6
-
-
9
-
5
-
5

 

 

6
PADMAS
54
18
9
7
CHAKRAS
61
25
7
6
WHEELS
72
27
9
19
-
187
70
25
1+9
-
1+8+7
7+0
2+5
10
-
16
7
7
1+0
-
1+6
-
-
1
-
7
7
7

 

 

9
KUNDALINI
-
-
-
-
K+U
32
5
5
-
N+D
18
9
9
-
A+L
13
4
4
-
I
9
9
9
-
N
14
5
5
-
I
9
9
9

9

KUNDALINI
95
41
41
-
-
9+5
4+1
4+1

9

KUNDALINI
14
5
5
-
-
1+4
-
-

9

KUNDALINI
5
5
5

 

 

9
KUNDALINI
-
-
-
-
K+U+N+D
50
14
5
-
A+L+I+N+I
45
27
9

9

KUNDALINI
95
41
14
-
-
9+5
4+1
1+4

9

KUNDALINI
14
5
5
-
-
1+4
-
-

9

KUNDALINI
5
5
5

 

 

3
THE
33
15
6
9
KUNDALINI
95
41
5
6
SHAKTI
68
23
5
5
POWER
77
32
5
23
First Total
273
111
21
2+3
Add to Reduce
2+7+3
1+1+1
2+1
5
Second Total
12
3
3
-
Reduce to Deduce
1+2
-
-
5
Essence of Number
3
3
3

 

 

3
THE
33
15
6
9
KUNDALINI
95
41
5
6
SPIRIT
91
37
1
5
POWER
77
32
5
23
First Total
296
125
17
2+3
Add to Reduce
2+9+6
1+2+5
1+7
5
Second Total
17
8
8
-
Reduce to Deduce
1+7
-
-
5
Essence of Number
8
8
8

 

 

Prana is a central concept in Ayurveda and Yoga where it is believed to flow through a network of fine subtle channels called nadis. ... en.wikipedia.org/wiki/Prana

rana

From Wikipedia, the free encyclopedia
Jump to: navigation, search

Prana (प्राण, IAST: prāṇa) is the Sanskrit for "breath" (from the root prā "to fill", cognate to Latin plenus "full"). It is one of the five organs of vitality or sensation, viz. prana "breath", vac "speech", caksus "sight", shrotra "hearing", and manas "thought" (nose, mouth, eyes, ears and mind; ChUp. 2.7.1).

In Vedantic philosophy, it is the notion of a vital, life-sustaining force of living beings and vital energy, comparable to the Chinese notion of Qi. Prana is a central concept in Ayurveda and Yoga where it is believed to flow through a network of fine subtle channels called nadis. The Pranamaya-kosha is one of the five Koshas or "sheaths" of the Atman

Prana was first expounded in the Upanishads, where it is part of the worldly, physical realm, sustaining the body and the mother of thought and thus also of the mind. Prana suffuses all living form but is not itself the Atma or individual soul. In the Ayurveda, the Sun and sunshine are held to be a source of Prana.

Contents[hide]
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[edit] Nadis
Further information: Nadi (yoga)

In Yoga, the three main channels of prana are the Ida, the Pingala and the Sushumna. Ida relates to the left side of the body, terminating at the left nostril and pingala to the right side of the body, terminating at the right nostril. In some practices, alternate nostril breathing balances the prana that flows within the body. When prana enters a period of uplifted, intensified activity, the Yogic tradition refers to it as Pranotthana.[1]

[edit] The Five Pranas

In Ayurveda, the Prana is further classified into subcategories, referred to as pranas. According to Hindu philosophy these are the vital principles of basic energy and subtle faculties of an individual that sustain physiological processes. There are five pranas or vital currents in the Hindu system:[2]

  1. Prana : Responsible for the beating of the heart and breathing. Prana enters the body through the breath and is sent to every cell through the circulatory system.
  2. Apana : Responsible for the elimination of waste products from the body through the lungs and excretory systems.
  3. Udana : Responsible for producing sounds through the vocal apparatus, as in speaking, singing, laughing, and crying. Also it represents the conscious energy required to produce the vocal sounds corresponding to the intent of the being. Hence Samyama on udana gives the higher centers total control over the body.
  4. Samana : Responsible for the digestion of food and cell metabolism (ie. the repair and manufacture of new cells and growth). Samana also includes the heat regulating processes of the body. Auras are projections of this current. By meditational practices one can see auras of light around every being. Yogis who do special practise on samana can produce a blazing aura at will.
  5. Vyana : Responsible for the expansion and contraction processes of the body, eg. the voluntary muscular system.

[edit] Pranayama

Pranayama is the practice in which the control of prana is achieved (initially) from the control of one's breathing. According to Yogic philosophy the breath, or air, is merely a gateway to the world of prana and its manifestation in the body. In yoga, pranayama techniques are used to control the movement of these vital energies within the body, which is said to lead to an increase in vitality in the practitioner. The practice of these techniques is not trivial, and Kason (2000)[3] mentions circumstances where pranayama techniques might disrupt the balance of a person's life.

[edit] See also

[edit] References
  1. ^ Sovatsky, Stuart (1998) Words from the Soul: Time, East/West Spirituality, and Psychotherapeutic Narrative. Suny Series in Transpersonal and Humanistic Psychology, New York: State University of New York Press.
  2. ^ Rammurti S. Mishra Yoga Sutras : The Textbook of Yoga Psychology
  3. ^ Kason, Yvonne (2000) Farther Shores: Exploring How Near-Death, Kundalini and Mystical Experiences Can Transform Ordinary Lives. Toronto: HarperCollins Publishers; Revised edition.

[edit] External links

 

 

Prana is a central concept in Ayurveda and Yoga where it is believed to flow through a network of fine subtle channels called nadis. ... en.wikipedia.org/wiki/Prana
 
 
 
Prana From Wikipedia, the free encyclopedia
 
Jump to: navigation, search
 
Prana (प्राण, IAST: prāṇa) is the Sanskrit for "breath" (from the root prā "to fill", cognate to Latin plenus "full"). It is one of the five organs of vitality or sensation, viz. prana "breath", vac "speech", caksus "sight", shrotra "hearing", and manas "thought" (nose, mouth, eyes, ears and mind; ChUp. 2.7.1).
 
In Vedantic philosophy, it is the notion of a vital, life-sustaining force of living beings and vital energy, comparable to the Chinese notion of Qi. Prana is a central concept in Ayurveda and Yoga where it is believed to flow through a network of fine subtle channels called nadis. The Pranamaya-kosha is one of the five Koshas or "sheaths" of the Atman
 
Prana was first expounded in the Upanishads, where it is part of the worldly, physical realm, sustaining the body and the mother of thought and thus also of the mind. Prana suffuses all living form but is not itself the Atma or individual soul. In the Ayurveda, the Sun and sunshine are held to be a source of Prana.
 
Contents[hide]
 
1 Nadis
 
2 The Five Pranas
 
3 Pranayama
 
4 See also
 
5 References
 
6 External links
 
 
 
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[edit] Nadis Further information: Nadi (yoga)
 
 
 
In Yoga, the three main channels of prana are the Ida, the Pingala and the Sushumna. Ida relates to the left side of the body, terminating at the left nostril and pingala to the right side of the body, terminating at the right nostril. In some practices, alternate nostril breathing balances the prana that flows within the body. When prana enters a period of uplifted, intensified activity, the Yogic tradition refers to it as Pranotthana.[1]
 
 
 
[edit] The Five Pranas In Ayurveda, the Prana is further classified into subcategories, referred to as pranas. According to Hindu philosophy these are the vital principles of basic energy and subtle faculties of an individual that sustain physiological processes. There are five pranas or vital currents in the Hindu system:[2]
 
Prana : Responsible for the beating of the heart and breathing. Prana enters the body through the breath and is sent to every cell through the circulatory system.
 
Apana : Responsible for the elimination of waste products from the body through the lungs and excretory systems.
 
Udana : Responsible for producing sounds through the vocal apparatus, as in speaking, singing, laughing, and crying. Also it represents the conscious energy required to produce the vocal sounds corresponding to the intent of the being. Hence Samyama on udana gives the higher centers total control over the body.
 
Samana : Responsible for the digestion of food and cell metabolism (ie. the repair and manufacture of new cells and growth). Samana also includes the heat regulating processes of the body. Auras are projections of this current. By meditational practices one can see auras of light around every being. Yogis who do special practise on samana can produce a blazing aura at will.
 
Vyana : Responsible for the expansion and contraction processes of the body, eg. the voluntary muscular system.
 
 
 
[edit] Pranayama Pranayama is the practice in which the control of prana is achieved (initially) from the control of one's breathing. According to Yogic philosophy the breath, or air, is merely a gateway to the world of prana and its manifestation in the body. In yoga, pranayama techniques are used to control the movement of these vital energies within the body, which is said to lead to an increase in vitality in the practitioner. The practice of these techniques is not trivial, and Kason (2000)[3] mentions circumstances where pranayama techniques might disrupt the balance of a person's life.
 
 
 
[edit] See also Vitalism
 
Lung_(Tibetan_Buddhism)
 
Energy (esotericism)
 
Shakti
 
Yoga Sutra
 
 
 
[edit] References ^ Sovatsky, Stuart (1998) Words from the Soul: Time, East/West Spirituality, and Psychotherapeutic Narrative. Suny Series in Transpersonal and Humanistic Psychology, New York: State University of New York Press.
 
^ Rammurti S. Mishra Yoga Sutras : The Textbook of Yoga Psychology
 
^ Kason, Yvonne (2000) Farther Shores: Exploring How Near-Death, Kundalini and Mystical Experiences Can Transform Ordinary Lives. Toronto: HarperCollins Publishers; Revised edition.
 
 
 
[edit] External links Prana - overview
 
Pranayama
 
Prana and Chakrams
 
 
 
 
Categories: Hindu philosophical concepts | Yoga | Sanskrit words and phrases | Vitalism

 

 

PRANA O PRANA

BREATH NAROPA NAROPA BREATH

PRANAYAMAPRANAYAMA

PRANA YAMA PRANA

YAMA

MAYA YAMA MAYA

 

 

-
5
P
R
A
N
A
-
-
-
-
-
--
-
-
-
-
-
-
-
5
-
+
=
5
-
=
5
=
5
-
-
-
-
-
14
-
+
=
14
1+4
=
5
=
5
-
5
P
R
A
N
A
-
-
-
-
-
--
-
-
-
-
7
9
1
-
1
+
=
18
1+8
=
9
=
9
-`
-
16
18
1
-
1
+
=
36
3+6
=
9
1-
9
-
5
P
R
A
N
A
-
-
-
-
-
--
-
-
-
-
16
18
1
14
1
+
=
50
5+0
=
5
=
5
-
-
7
9
1
5
1
+
=
23
2+3
=
5
=
5
-
5
P
R
A
N
A
-
-
-
-
-
-
-
-
-
-``
-
-
1
-``
1
-
-``
1
occurs
x
2
=
2
2
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
3
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
4
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
5
-
-
-
5
occurs
x
1
=
5
6
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
7
-
-
-
-
-
-
7
occurs
x
1
=
7
8
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
9
-
-
-
-
-
9
occurs
x
1
=
9
23
5
P
R
A
N
A
-
-
22
-
-
5
-
23
2+3
-
7
9
1
5
1
-
-
2+2
-
-
-
-
2+3
5
5
P
R
A
N
A
-
-
4
-
-
5
-
5
-
-
16
18
1
14
1
-
-
-
-
-
-
-
-
5
5
P
R
A
N
A
-
-
4
-
-
5
-
5

 

 

-
5
P
R
A
N
A
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
+
=
5
-
=
5
=
5
-
-
-
-
-
14
-
+
=
14
1+4
=
5
=
5
-
5
P
R
A
N
A
-
-
-
-
-
-
-
-
-
-
7
9
1
-
1
+
=
18
1+8
=
9
=
9
-`
-
16
18
1
-
1
+
=
36
3+6
=
9
9
-
5
P
R
A
N
A
-
-
-
-
-
-
-
-
-
-
16
18
1
14
1
+
=
50
5+0
=
5
=
5
-
-
7
9
1
5
1
+
=
23
2+3
=
5
=
5
-
5
P
R
A
N
A
-
-
-
-
-
-
-
-
-
-``
-
-
1
-``
1
-
-``
1
occurs
x
2
=
2
-
-
-
-
-
5
-
-
-
5
occurs
x
1
=
5
-
-
7
-
-
-
-
-
-
7
occurs
x
1
=
7
-
-
-
9
-
-
-
-
-
9
occurs
x
1
=
9
23
5
P
R
A
N
A
-
-
22
-
-
5
-
23
2+3
-
7
9
1
5
1
-
-
2+2
-
-
-
-
2+3
5
5
P
R
A
N
A
-
-
4
-
-
5
-
5
-
-
16
18
1
14
1
-
-
-
-
-
-
-
-
5
5
P
R
A
N
A
-
-
4
-
-
5
-
5

 

 

I

THAT

AM

DIVINE BREATH BREATH DIVINE

THAT

AM

I

 

Pranayama (Sanskrit: prāṇāyāma) is a Sanskrit word meaning "lengthening of the prana or breath". The word is composed of two Sanskrit words, Prāna, ... en.wikipedia.org/wiki/Pranayama

 

Pranayama
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Image:Example.of.complex.text.rendering.svg This article contains Indic text.
Without rendering support, you may see question marks, boxes or other symbols instead of Indic characters; or irregular vowel positioning and a lack of conjuncts.

Pranayama (Sanskrit: prāṇāyāma) is a Sanskrit word meaning "lengthening of the prana or breath". The word is composed of two Sanskrit words, Prāna, life force, or vital energy, particularly, the breath, and "āyāma", to lengthen or extend. It is often translated as control of the life force (prana).[1][2][3][4] When used as a technical term in yoga, it is often translated more specifically as "breath control".[5][6][7] Literal translations include A. A. Macdonell's "suspension of breath"[8] and I. K. Taimni's "regulation of breath".[9]

The Qigong practice in China may also have its roots in Pranayama.[citation needed]

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[edit] Etymology

Pranayama (Devanagari: प्राणायाम, prāṇāyāma) is a Sanskrit compound.

V. S. Apte provides fourteen different meanings for the word prana (Devanagari: प्राण, prāṇa) including these:[10]

  • Breath, respiration
  • The breath of life, vital air, principle of life (usually plural in this sense, there being five such vital airs generally assumed, but three, six, seven, nine, and even ten are also spoken of)[11]
  • Energy, vigor
  • The spirit or soul

Of these meanings, the concept of "vital air" is used by Bhattacharyya to describe the concept as used in Sanskrit texts dealing with pranayama.[12] Thomas McEvilley translates "prana" as "spirit-energy".[13]

Monier-Williams defines the compound prāṇāyāma as (m., also pl.) "N. of the three 'breath-exercises' performed during Saṃdhyā (See pūraka, recaka, kumbhaka"[14][15] This technical definition refers to a particular system of breath control with three processes as explained by Bhattacharyya: pūraka (to take the breath inside), kumbhaka (to retain it), and recaka (to discharge it).[16] There are also other processes of pranayama in addition to this three-step model.[17]

Macdonell gives the etymology as prāṇa + āyāma and defines it as "m. suspension of breath (sts. pl.)".[18]

Apte's definition of āyāmaḥ derives it from ā + yām and provides several variant meanings for it when used in compounds. The first three meanings have to do with "length", "expansion, extension", and "stretching, extending", but in the specific case of use in the compound prāṇāyāma he defines āyāmaḥ as meaning "restrain, control, stopping".[19]

An alternative etymology for the compound is cited by Ramamurti Mishra, who says that:

"Expansion of individual energy into cosmic energy is called prāṇāyāma (prāṇa, energy + ayām, expansion)."[20]

The word "yama" (Devanagari: याम, yāma) means "cessation"[21][22] or more generally "control" or "restraint".[23][24]

[edit] Hatha and Raja Yoga Varieties

Some scholars distinguish between hatha and raja yoga varieties of pranayama, with the former variety usually prescribed for the beginner. According to Taimni, hatha yogic pranayama involves manipulation of pranic currents through breath regulation for bringing about the control of chitta-vrittis and changes in consciousness, whereas raja yogic pranayama involves the control of chitta-vrittis by consciousness directly through the will of the mind.[25] Students qualified to practice pranayama are therefore always initiated first in the techniques of hatha pranayama.[26]

[edit] Bhagavad Gita

Pranayama is mentioned in verse 4.29 of the Bhagavat Gita.[27]

[edit] Quotes

Prana is a subtle invisible force. It is the life-force that pervades the body. It is the factor that connects the body and the mind, because it is connected on one side with the body and on the other side with the mind. It is the connecting link between the body and the mind. The body and the mind have no direct connection. They are connected through Prana only and this Prana is different from the breathing you have in your physical body.

Swami Chidananda Saraswati[28]

Yoga works primarily with the energy in the body, through the science of pranayama, or energy-control. Prana means also ‘breath.’ Yoga teaches how, through breath-control, to still the mind and attain higher states of awareness. The higher teachings of yoga take one beyond techniques, and show the yogi, or yoga practitioner, how to direct his concentration in such a way as not only to harmonize human with divine consciousness, but to merge his consciousness in the Infinite.

Paramahansa Yogananda[29]

[edit] Yoga Sutras of Patanjali

Pranayama is the fourth 'limb' of the eight limbs of Raja Yoga mentioned in verse 2.29 in the Yoga Sutras of Patanjali.[30][31] Patanjali discusses his specific approach to pranayama in verses 2.49 through 2.51, and devotes verses 2.52 and 2.53 to explaining the benefits of the practice.[32] Patanjali refers to pranayama as the control of life force that comes as a result of practicing the various breathing techniques, rather than the numerous breathing exercises themselves.[33][29]

Many yoga teachers advise that pranayama should be part of an overall practice that includes the other limbs of Patanjali's Raja Yoga teachings, especially Yama, Niyama, and Asana.[34]

[edit] Medical claims

Several researchers have reported that pranayama techniques are beneficial in treating a range of stress related disorders,[35] improving autonomic functions,[36] relieving symptoms of asthma,[37][38] and reducing signs of oxidative stress.[39][40] Practitioners report that the practice of pranayama develops a steady mind, strong will-power, and sound judgement,[34] and also claim that sustained pranayama practice extends life and enhances perception.[41]

[edit] Cautions

Many yoga teachers recommend that pranayama techniques be practiced with care, and that advanced pranayama techniques should be practiced under the guidance of a teacher. These cautions are also made in traditional Hindu literature.[42][43] [44]

[edit] See also

 

 
Pranayama (Sanskrit: prāṇāyāma) is a Sanskrit word meaning "lengthening of the prana or breath". The word is composed of two Sanskrit words, Prāna, ... en.wikipedia.org/wiki/Pranayama
 
 
 
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This article contains Indic text.
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Pranayama (Sanskrit: prāṇāyāma) is a Sanskrit word meaning "lengthening of the prana or breath". The word is composed of two Sanskrit words, Prāna, life force, or vital energy, particularly, the breath, and "āyāma", to lengthen or extend. It is often translated as control of the life force (prana).[1][2][3][4] When used as a technical term in yoga, it is often translated more specifically as "breath control".[5][6][7] Literal translations include A. A. Macdonell's "suspension of breath"[8] and I. K. Taimni's "regulation of breath".[9]
 
The Qigong practice in China may also have its roots in Pranayama.[citation needed]
 
Contents[hide]
 
1 Etymology 1.1 Hatha and Raja Yoga Varieties
 
1.2 Bhagavad Gita
 
1.3 Quotes
 
 
 
2 Yoga Sutras of Patanjali
 
3 Medical claims
 
4 Cautions
 
5 See also
 
6 Notes 6.1 References
 
 
 
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[edit] Etymology Pranayama (Devanagari: प्राणायाम, prāṇāyāma) is a Sanskrit compound.
 
V. S. Apte provides fourteen different meanings for the word prana (Devanagari: प्राण, prāṇa) including these:[10]
 
Breath, respiration
 
The breath of life, vital air, principle of life (usually plural in this sense, there being five such vital airs generally assumed, but three, six, seven, nine, and even ten are also spoken of)[11]
 
Energy, vigor
 
The spirit or soul
 
 
 
Of these meanings, the concept of "vital air" is used by Bhattacharyya to describe the concept as used in Sanskrit texts dealing with pranayama.[12] Thomas McEvilley translates "prana" as "spirit-energy".[13]
 
Monier-Williams defines the compound prāṇāyāma as (m., also pl.) "N. of the three 'breath-exercises' performed during Saṃdhyā (See pūraka, recaka, kumbhaka"[14][15] This technical definition refers to a particular system of breath control with three processes as explained by Bhattacharyya: pūraka (to take the breath inside), kumbhaka (to retain it), and recaka (to discharge it).[16] There are also other processes of pranayama in addition to this three-step model.[17]
 
Macdonell gives the etymology as prāṇa + āyāma and defines it as "m. suspension of breath (sts. pl.)".[18]
 
Apte's definition of āyāmaḥ derives it from ā + yām and provides several variant meanings for it when used in compounds. The first three meanings have to do with "length", "expansion, extension", and "stretching, extending", but in the specific case of use in the compound prāṇāyāma he defines āyāmaḥ as meaning "restrain, control, stopping".[19]
 
An alternative etymology for the compound is cited by Ramamurti Mishra, who says that:
 
"Expansion of individual energy into cosmic energy is called prāṇāyāma (prāṇa, energy + ayām, expansion)."[20]
 
 
 
The word "yama" (Devanagari: याम, yāma) means "cessation"[21][22] or more generally "control" or "restraint".[23][24]
 
 
 
[edit] Hatha and Raja Yoga Varieties Some scholars distinguish between hatha and raja yoga varieties of pranayama, with the former variety usually prescribed for the beginner. According to Taimni, hatha yogic pranayama involves manipulation of pranic currents through breath regulation for bringing about the control of chitta-vrittis and changes in consciousness, whereas raja yogic pranayama involves the control of chitta-vrittis by consciousness directly through the will of the mind.[25] Students qualified to practice pranayama are therefore always initiated first in the techniques of hatha pranayama.[26]
 
 
 
[edit] Bhagavad Gita Pranayama is mentioned in verse 4.29 of the Bhagavat Gita.[27]
 
 
 
[edit] Quotes Prana is a subtle invisible force. It is the life-force that pervades the body. It is the factor that connects the body and the mind, because it is connected on one side with the body and on the other side with the mind. It is the connecting link between the body and the mind. The body and the mind have no direct connection. They are connected through Prana only and this Prana is different from the breathing you have in your physical body.
 
– Swami Chidananda Saraswati[28]
 
 
 
Yoga works primarily with the energy in the body, through the science of pranayama, or energy-control. Prana means also ‘breath.’ Yoga teaches how, through breath-control, to still the mind and attain higher states of awareness. The higher teachings of yoga take one beyond techniques, and show the yogi, or yoga practitioner, how to direct his concentration in such a way as not only to harmonize human with divine consciousness, but to merge his consciousness in the Infinite.
 
– Paramahansa Yogananda[29]
 
 
 
[edit] Yoga Sutras of Patanjali Pranayama is the fourth 'limb' of the eight limbs of Raja Yoga mentioned in verse 2.29 in the Yoga Sutras of Patanjali.[30][31] Patanjali discusses his specific approach to pranayama in verses 2.49 through 2.51, and devotes verses 2.52 and 2.53 to explaining the benefits of the practice.[32] Patanjali refers to pranayama as the control of life force that comes as a result of practicing the various breathing techniques, rather than the numerous breathing exercises themselves.[33][29]
 
Many yoga teachers advise that pranayama should be part of an overall practice that includes the other limbs of Patanjali's Raja Yoga teachings, especially Yama, Niyama, and Asana.[34]
 
 
 
[edit] Medical claims Several researchers have reported that pranayama techniques are beneficial in treating a range of stress related disorders,[35] improving autonomic functions,[36] relieving symptoms of asthma,[37][38] and reducing signs of oxidative stress.[39][40] Practitioners report that the practice of pranayama develops a steady mind, strong will-power, and sound judgement,[34] and also claim that sustained pranayama practice extends life and enhances perception.[41]
 
 
 
[edit] Cautions Many yoga teachers recommend that pranayama techniques be practiced with care, and that advanced pranayama techniques should be practiced under the guidance of a teacher. These cautions are also made in traditional Hindu literature.[42][43] [44]
 
 
 
[edit] See also Ujjayi breath
 
Anuloma pranayama
 
Hatha yoga
 
Raja yoga

 

 

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1
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2
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2
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3
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4
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5
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=
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6
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7
-
-
7
8
occurs
x
3
=
24
2+4
=
6
9
occurs
x
7
=
63
6+3
=
9
45
Add
40
225
-
-
54
4+5
Reduce
4+0
2+2+5
-
-
5+4
9
Deduce
4
9
-
-
9

 

 

0
-
ZERO
64
28
1
1
6
ONE
34
16
7
2
2
TWO
58
13
4
3
2
THREE
56
29
2
4
6
FOUR
60
24
6
5
6
FIVE
42
24
6
6
1
SIX
52
16
7
7
1
SEVEN
65
20
2
8
5
EIGHT
49
31
4
9
5
NINE
42
24
6
45
34
Add
522
225
45
4+5
3+4
Reduce
5+2+2
2+2+5
4+5
9
7
Deduce
9
9
9

 

 

0
-
ZERO
64
28
1
1
6
ONE
34
16
7
2
2
TWO
58
13
4
3
2
THREE
56
29
2
4
6
FOUR
60
24
6
5
6
FIVE
42
24
6
6
1
SIX
52
16
7
7
1
SEVEN
65
20
2
8
5
EIGHT
49
31
4
9
5
NINE
42
24
6
45
34
Add
522
225
45
4+5
3+4
Reduce
5+2+2
2+2+5
4+5
9
7
Deduce
9
9
9

 

 

0
-
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
ZERO
1
1
6
ONE
34
16
7
-
-
-
-
-
-
7
-
-
-
ONE
7
2
2
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
TWO
4
3
2
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
THREE
2
4
6
FOUR
60
24
6
-
-
-
-
-
6
-
-
-
-
FOUR
6
5
6
FIVE
42
24
6
-
-
-
-
-
6
-
-
-
-
FIVE
6
6
1
SIX
52
16
7
-
-
-
-
-
-
7
-
-
-
SIX
7
7
1
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
SEVEN
2
8
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
EIGHT
4
9
5
NINE
42
24
6
-
-
-
-
-
6
-
-
-
-
NINE
6
45
34
Add
522
225
45
-
1
4
3
8
18
14
8
9
-
Add
45
4+5
3+4
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
1+8
1+4
-
-
-
Reduce
4+5
9
7
Deduce
9
9
9
-
1
4
3
8
9
5
8
9
-
Deduce
9

 

 

1
6
ONE
34
16
7
2
2
TWO
58
13
4
3
2
THREE
56
29
2
4
6
FOUR
60
24
6
5
6
FIVE
42
24
6
6
1
SIX
52
16
7
7
1
SEVEN
65
20
2
8
5
EIGHT
49
31
4
9
5
NINE
42
24
6
45
34
Add
458
197
44
4+5
3+4
Reduce
4+5+8
1+9+7
4+4
9
7
Deduce
17
17
8
-
-
Reduce
1+7
1+7
-
9
7
Deduce
8
8
9

 

GODS NUMBERS, ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

ZE R O, T H+R+E+E, F, O+U, R, F I V+E, S I X, S, E+V, N, E, I, GHT, N, I, NE, = 9,9,9,9,9,9,9,9,9,9

 

-
-
-
-
-
-
-
ONE TWO SIX
-
-
-
1
-
O
=
6
-
3
ONE
34
16
7
2
-
T
=
2
-
3
TWO
58
13
4
6
-
S
=
1
-
3
SIX
52
16
7
9
-
-
-
9
-
9
ONE TWO SIX
144
45
18
-
-
-
-
-
-
-
-
1+4+4
4+5
1+8
9
-
-
-
9
-
9
ONE TWO SIX
9
9
9

 

 

-
9
O
N
E
-
T
W
O
-
S
I
X
-
-
-
-
-
--
-
-
-
-
-
-
6
5
-
-
-
-
6
-
1
9
6
+
=
33
3+3
=
6
-
6
-
6
-
-
15
14
-
-
-
-
15
-
19
9
24
+
=
96
9+6
=
15
1+5
6
-
6
-
9
O
N
E
-
T
W
O
-
S
I
X
-
-
-
-
-
--
-
-
-
-
-
-
-
-
5
-
2
5
-
-
-
-
-
+
=
12
1+2
=
3
-
3
-
3
-
-
-
-
5
-
20
23
-
-
-
-
-
+
=
48
4+8
=
12
1+2
3
-
4
-
9
O
N
E
-
T
W
O
-
S
I
X
-
-
-
-
-
--
-
-
-
-
-
-
15
14
5
-
20
23
15
-
19
9
24
+
=
144
1+4+4
=
9
-
9
-
9
-
-
6
5
5
-
2
5
6
-
1
9
6
+
=
45
4+5
=
9
-
9
-
9
-
9
O
N
E
-
T
W
O
-
S
I
X
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
occurs
x
1
=
1
-
1
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
-
2
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
5
5
-
-
5
-
-
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
6
-
-
-
-
-
6
-
-
-
6
-
-
6
occurs
x
3
=
18
1+8
9
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
-
9
22
9
O
N
E
-
T
W
O
-
S
I
X
-
-
23
-
-
9
-
73
-
28
2+2
-
-
-
-
-
-
-
-
-
-
9
-
-
-
2+3
-
-
-
-
7+3
-
2+8
4
9
O
N
E
-
T
W
O
-
S
I
X
-
-
5
-
-
9
-
10
-
10
-
-
6
5
5
-
2
5
6
-
1
9
6
-
-
-
-
-
-
-
1+0
-
1+0
4
9
O
N
E
-
T
W
O
-
S
I
X
-
-
5
-
-
9
-
1
-
1

 

 

9
O
N
E
-
T
W
O
-
S
I
X
-
-
-
-
-
--
-
-
-
-
-
6
5
-
-
-
-
6
-
1
9
6
+
=
33
3+3
=
6
-
6
-
6
-
15
14
-
-
-
-
15
-
19
9
24
+
=
96
9+6
=
15
1+5
6
-
6
9
O
N
E
-
T
W
O
-
S
I
X
-
-
-
-
-
--
-
-
-
-
-
-
-
5
-
2
5
-
-
-
-
-
+
=
12
1+2
=
3
-
3
-
3
-
-
-
5
-
20
23
-
-
-
-
-
+
=
48
4+8
=
12
1+2
3
-
4
9
O
N
E
-
T
W
O
-
S
I
X
-
-
-
-
-
--
-
-
-
-
-
15
14
5
-
20
23
15
-
19
9
24
+
=
144
1+4+4
=
9
-
9
-
9
-
6
5
5
-
2
5
6
-
1
9
6
+
=
45
4+5
=
9
-
9
-
9
9
O
N
E
-
T
W
O
-
S
I
X
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
occurs
x
1
=
1
-
1
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
-
2
-
5
5
-
-
5
-
-
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
6
-
-
-
-
-
6
-
-
-
6
-
-
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
-
9
9
O
N
E
-
T
W
O
-
S
I
X
-
-
23
-
-
9
-
73
-
28
-
-
-
-
-
-
-
-
-
-
9
-
-
-
2+3
-
-
-
-
7+3
-
2+8
9
O
N
E
-
T
W
O
-
S
I
X
-
-
5
-
-
9
-
10
-
10
-
6
5
5
-
2
5
6
-
1
9
6
-
-
-
-
-
-
-
1+0
-
1+0
9
O
N
E
-
T
W
O
-
S
I
X
-
-
5
-
-
9
-
1
-
1

 

 

-
11
A
B
R
A
C
A
D
A
B
R
A
-
-
-
-
-
-
-
-
-
-
-
-
1
2
18
1
3
1
4
1
2
18
1
+
=
52
5+2
=
7
=
7
=
7
-
-
1
2
9
1
3
1
4
1
2
9
1
+
=
34
3+4
=
7
=
7
=
7
-
11
A
B
R
A
C
A
D
A
B
R
A
-
-
-
-
-
-
-
-
-
-
-
-
1
2
18
1
3
1
4
1
2
18
1
+
=
52
5+2
=
7
=
7
=
7
-
-
1
2
9
1
3
1
4
1
2
9
1
+
=
34
3+4
=
7
=
7
=
7
-
11
A
B
R
A
C
A
D
A
B
R
A
-
-
-
-
-
-
-
-
-
-
-
-
1
2
18
1
3
1
4
1
2
18
1
+
=
52
5+2
=
7
=
7
=
7
-
-
1
2
9
1
3
1
4
1
2
9
1
+
=
34
3+4
=
7
=
7
=
7
-
11
A
B
R
A
C
A
D
A
B
R
A
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
1
-
1
-
-
1
-
-
1
occurs
x
5
=
5
=
5
-
-
-
2
-
-
-
-
-
-
2
-
-
-
-
2
occurs
x
2
=
4
=
4
-
-
-
--
-
-
3
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
9
-
-
-
9
occurs
x
2
=
18
=
9
26
11
A
B
R
A
C
A
D
A
B
R
A
-
-
19
-
-
11
-
34
-
25
2+6
1+1
1
-
-
1
-
1
-
1
-
-
1
-
-
1+9
-
-
1+1
-
3+4
-
2+5
8
2
A
B
R
A
C
A
D
A
B
R
A
-
-
10
-
-
2
-
7
-
7
-
-
1
2
9
1
3
1
4
1
2
9
1
-
-
1+0
-
-
-
-
-
-
-
8
2
A
B
R
A
C
A
D
A
B
R
A
-
-
1
-
-
2
-
7
-
7

 

 

11
A
B
R
A
C
A
D
A
B
R
A
-
-
-
-
-
-
-
-
-
-
-
1
2
18
1
3
1
4
1
2
18
1
+
=
52
5+2
=
7
=
7
=
7
-
1
2
9
1
3
1
4
1
2
9
1
+
=
34
3+4
=
7
=
7
=
7
11
A
B
R
A
C
A
D
A
B
R
A
-
-
-
-
-
-
-
-
-
-
-
1
2
18
1
3
1
4
1
2
18
1
+
=
52
5+2
=
7
=
7
=
7
-
1
2
9
1
3
1
4
1
2
9
1
+
=
34
3+4
=
7
=
7
=
7
11
A
B
R
A
C
A
D
A
B
R
A
-
-
-
-
-
-
-
-
-
-
-
1
2
18
1
3
1
4
1
2
18
1
+
=
52
5+2
=
7
=
7
=
7
-
1
2
9
1
3
1
4
1
2
9
1
+
=
34
3+4
=
7
=
7
=
7
11
A
B
R
A
C
A
D
A
B
R
A
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
1
-
1
-
-
1
-
-
1
occurs
x
5
=
5
=
5
-
-
2
-
-
-
-
-
-
2
-
-
-
-
2
occurs
x
2
=
4
=
4
-
-
--
-
-
3
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
-
-
-
4
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
9
-
-
-
-
-
-
9
-
-
-
9
occurs
x
2
=
18
=
9
11
A
B
R
A
C
A
D
A
B
R
A
-
-
19
-
-
11
-
34
-
25
1+1
1
-
-
1
-
1
-
1
-
-
1
-
-
1+9
-
-
1+1
-
3+4
-
2+5
2
A
B
R
A
C
A
D
A
B
R
A
-
-
10
-
-
2
-
7
-
7
-
1
2
9
1
3
1
4
1
2
9
1
-
-
1+0
-
-
-
-
-
-
-
2
A
B
R
A
C
A
D
A
B
R
A
-
-
1
-
-
2
-
7
-
7

 

 

.....

G
=
7
-
3
GOD
26
17
8
G
=
7
-
2
GO
22
13
4
D
=
4
-
2
DO
19
10
1
G
=
7
-
4
GOOD
41
23
5
-
-
25
-
11
Add to Reduce
108
63
18
-
-
2+5
-
1+1
Reduce to Deduce
1+0+8
6+3
1+8
-
-
7
-
2
Essence of Number
9
9
9

 

 

-
11
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
6
-
-
6
-
-
6
6
-
+
=
30
3+0
=
3
-
3
-
3
-
`-
-
15
-
-
-
15
-
-
15
-
-
15
15
-
+
=
75
7+5
=
12
1+2
3
-
3
-
11
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
-
`-
7
-
4
-
7
-
-
4
-
-
7
-
-
4
+
=
33
3+3
=
6
-
6
-
6
-
11
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
-
`-
7
15
4
-
7
15
-
4
15
-
7
15
15
4
+
=
108
1+0+8
=
9
-
9
-
9
-
-
7
6
4
-
7
6
-
4
6
-
7
6
6
4
+
=
63
6+3
=
9
-
9
-
9
-
11
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
``-
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
2
-
-
-
-
-
-
-
-
``-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
-
-
-
-
4
-
-
-
-
4
-
-
-
-
-
4
-
-
4
occurs
x
3
=
12
1+2
3
5
-
-
-
-
-
-
-
-
``-
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
-
-
-
6
-
-
-
6
-
-
6
-
-
6
6
-
-
-
6
occurs
x
5
=
30
3+0
3
-
-
7
-
-
-
7
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
3
=
21
2+1
3
8
-
-
-
-
-
-
-
-
``-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
NINE
9
-
-
-
-
-
28
11
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
17
-
-
11
-
63
-
9
2+8
1+1
-
6
-
-
-
6
-
-
6
-
-
6
6
-
-
-
1+7
-
-
1+1
-
6+3
-
-
10
2
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
8
-
-
2
-
9
-
9
1+0
-
7
6
4
-
7
6
-
4
6
-
7
6
6
4
-
-
-
-
-
-
-
-
-
-
1
2
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
8
-
-
2
-
9
-
9

 

 

11
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
6
-
-
6
-
-
6
6
-
+
=
30
3+0
=
3
-
3
-
3
`-
-
15
-
-
-
15
-
-
15
-
-
15
15
-
+
=
75
7+5
=
12
1+2
3
-
3
11
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
`-
7
-
4
-
7
-
-
4
-
-
7
-
-
4
+
=
33
3+3
=
6
-
6
-
6
11
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
`-
7
15
4
-
7
15
-
4
15
-
7
15
15
4
+
=
108
1+0+8
=
9
-
9
-
9
-
7
6
4
-
7
6
-
4
6
-
7
6
6
4
+
=
63
6+3
=
9
-
9
-
9
11
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
4
-
-
-
-
-
4
-
-
4
occurs
x
3
=
12
1+2
3
-
-
6
-
-
-
6
-
-
6
-
-
6
6
-
-
-
6
occurs
x
5
=
30
3+0
3
-
7
-
-
-
7
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
3
=
21
2+1
3
11
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
17
-
-
11
-
63
-
9
1+1
-
6
-
-
-
6
-
-
6
-
-
6
6
-
-
-
1+7
-
-
1+1
-
6+3
-
-
2
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
8
-
-
2
-
9
-
9
-
7
6
4
-
7
6
-
4
6
-
7
6
6
4
-
-
-
-
-
-
-
-
-
-
2
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
8
-
-
2
-
9
-
9

 

.....

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

 

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

....

 

G
=
7
-
2
GO
22
13
4
D
=
4
-
2
DO
19
10
1
G
=
7
-
4
GOOD
41
23
5
-
-
18
-
8
First Total
82
46
10
-
-
1+8
-
-
Add to Reduce
8+2
4+6
1+0
-
-
9
-
8
Second Total
10
10
1
-
-
-
-
-
Reduce to Deduce
1+0
1+0
-
-
-
9
-
8
Essence of Number
1
1
1

 

 

-
8
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
6
-
-
6
6
-
-
+
=
24
2+3
=
6
=
6
=
6
-
`-
-
15
-
-
15
-
-
15
15
-
-
+
=
60
6+0
=
6
1+2
6
=
6
-
8
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
-
-
`-
7
-
-
4
-
-
7
-
-
4
-
+
=
22
2+2
=
4
=
4
=
4
-
8
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
-
-
`-
7
15
-
4
15
-
7
15
15
4
-
+
=
82
8+2
=
10
1+0
1
=
1
-
-
7
6
-
4
6
-
7
6
6
4
-
+
=
46
4+6
=
10
1+0
1
=
1
-
8
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
``-
-
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
2
-
-
-
-
``-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
4
-
-
-
4
occurs
x
2
=
8
=
8
5
-
-
-
-
``-
-
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
-
-
-
6
-
-
6
-
-
6
6
-
-
-
-
6
occurs
x
4
=
24
2+4
6
-
-
7
-
-
-
-
-
7
-
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
8
-
-
-
-
``-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
NINE
9
-
-
-
-
-
28
8
G
O
-
D
O
-
G
O
O
D
-
-
-
17
-
-
8
-
46
-
19
2+8
-
-
6
-
-
6
-
-
6
6
-
-
-
-
1+7
-
-
-
-
4+6
-
1+9
10
8
G
O
-
D
O
-
G
O
O
D
-
-
-
8
-
-
8
-
9
-
10
1+0
-
7
6
-
4
6
-
7
6
6
4
-
-
-
-
-
-
-
-
-
-
1+0
1
8
G
O
-
D
O
-
G
O
O
D
-
-
-
8
-
-
8
-
9
-
1

 

 

-
8
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
6
-
-
6
6
-
-
+
=
24
2+3
=
6
=
6
=
6
-
`-
-
15
-
-
15
-
-
15
15
-
-
+
=
60
6+0
=
6
1+2
6
=
6
-
8
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
-
-
`-
7
-
-
4
-
-
7
-
-
4
-
+
=
22
2+2
=
4
=
4
=
4
-
8
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
-
-
`-
7
15
-
4
15
-
7
15
15
4
-
+
=
82
8+2
=
10
1+0
1
=
1
-
-
7
6
-
4
6
-
7
6
6
4
-
+
=
46
4+6
=
10
1+0
1
=
1
-
8
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
4
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
6
-
-
6
-
-
6
6
-
-
-
-
6
occurs
x
4
=
24
2+4
6
-
-
7
-
-
-
-
-
7
-
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
28
8
G
O
-
D
O
-
G
O
O
D
-
-
-
17
-
-
8
-
46
-
19
2+8
-
-
6
-
-
6
-
-
6
6
-
-
-
-
1+7
-
-
-
-
4+6
-
1+9
10
8
G
O
-
D
O
-
G
O
O
D
-
-
-
8
-
-
8
-
9
-
10
1+0
-
7
6
-
4
6
-
7
6
6
4
-
-
-
-
-
-
-
-
-
-
1+0
1
8
G
O
-
D
O
-
G
O
O
D
-
-
-
8
-
-
8
-
9
-
1

 

.....

 

-
19
E
A
C
H
-
F
O
R
-
A
L
L
-
A
L
L
-
F
O
R
-
G
O
D
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
8
-
-
6
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
6
-
+
=
26
2+6
=
8
=
8
=
8
-
-
-
-
-
8
-
-
15
-
-
-
-
-
-
-
-
-
-
-
15
-
-
-
15
-
+
=
53
5+3
=
8
=
8
=
8
-
19
E
A
C
H
-
F
O
R
-
A
L
L
-
A
L
L
-
F
O
R
-
G
O
D
-
-
-
-
-
--
-
-
-
-
-
-
5
1
3
-
-
6
-
9
-
1
3
3
-
1
3
3
-
6
-
9
-
7
-
4
+
=
64
6+4
=
10
1+0
1
=
1
-
-
5
1
3
-
-
6
-
18
-
1
12
12
-
1
12
12
-
6
-
18
-
7
-
4
+
=
118
1+1+8
=
10
1+0
1
=
1
-
19
E
A
C
H
-
F
O
R
-
A
L
L
-
A
L
L
-
F
O
R
-
G
O
D
-
-
-
-
-
--
-
-
-
-
-
-
5
1
3
8
-
6
15
18
-
1
12
12
-
1
12
12
-
6
15
18
-
7
15
4
+
=
171
1+7+1
=
90
9+0
9
=
9
-
-
5
1
3
8
-
6
6
9
-
1
3
3
-
1
3
3
-
6
6
9
-
7
6
4
+
=
90
9+0
=
9
=
9
=
9
-
19
E
A
C
H
-
F
O
R
-
A
L
L
-
A
L
L
-
F
O
R
-
G
O
D
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
3
=
3
=
3
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
3
3
-
-
3
3
-
-
-
-
-
-
-
-
-
-
3
occurs
x
5
=
15
1+5
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
=
4
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
-
5
-
-
-
-
-
-
-
6
6
-
-
-
-
-
-
-
-
-
-
6
6
-
-
-
6
-
-
-
6
occurs
x
5
=
30
3+0
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
7
occurs
x
1
=
7
-
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
8
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
2
19
E
A
C
H
-
F
O
R
-
A
L
L
-
A
L
L
-
F
O
R
-
G
O
D
-
-
43
-
-
19
-
90
-
45
-
1+9
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
4+3
-
-
1+9
-
9+0
-
4+5
2
10
E
A
C
H
-
F
O
R
-
A
L
L
-
A
L
L
-
F
O
R
-
G
O
D
-
-
7
-
-
10
-
9
-
9
-
1+0
5
1
3
8
-
6
6
9
-
1
3
3
-
1
3
3
-
6
6
9
-
7
6
4
-
-
-
-
-
1+0
-
-
-
-
2
1
E
A
C
H
-
F
O
R
-
A
L
L
-
A
L
L
-
F
O
R
-
G
O
D
-
-
7
-
-
1
-
9
-
9

 

 
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